Write a poem that follows the beats of a classic joke. Emphasize the interplay between the form of the poem – such as the line breaks – and the punchline.
I think I bent the rules a bit. But I like writing nonsense that has some logic. And I also like writing about The Mad Hatter and Alice (I have quite a series of them). If you put Hatter or Alice into my search box you will probably find all of them. They have an ongoing relationship.
The answer to that depends on the date of your death. Consider it might be tomorrow and make up your mind to live.
But, you’ve misunderstood my question. I will rephrase it. Listen. Where will we find time?
Let’s look in the hedgerows first to see which plant are budding, are they limp or dry? Have all their leaves been lost? Has a bird built a nest or are all the fledglings fledged? Did they all fly away to the south?
A year is the same as a decade or a summer can last a year but only when you’re a child. Time is a relative concept linked to innocence. It moves faster as you age. To witness time watch an apple moving from ripe to rot.
I don’t own a clock. I don’t expect precision. If you want to arrange a meeting, I’ll meet you when the sun dips down behind the ridge of your roof, or later if you like when Mercury hangs above us a step to the west of Jupiter, almost parallel to the the moon (that is to say, on April the 12th at roughly half past nine). I will wait for you there but if that’s too soon, any chance meeting is fine. These moments hang on the infinite line of time.
Do you think it ‘s all on a line? I don’t. Everything turns around and everything’s relative.
The rotation of the stars at night is faster than we perceive. I’ve seen them move, from dusk to dawn, by sitting as still as a rock.
Life is a road with many whips, silent crossroads and knots. I’d fly off with the birds, if my wings weren’t hidden. I’d feel the wind on the water and see the birds songs. I’d hear the strong blast of yellow that comes with the sun. But none of that ever happened. Once upon a time it seemed possible. Everything seemed possible then, in London with Luke I might have stayed happy if the roads never twisted and bent
We walked through the City Squares amid the Mimosa, Jasmine and traffic fumes. His skin had the scent of dried cedar. Pimlico, Stepney, Westminster and down to the docks, we ducked and dived into museums to feel the heat then down through Covent Garden. Five miles a day is nothing, when you’re looking for something to eat.
‘Buy a rose for the lady, mate!’ We had no money, no dosh, no doe. You can pick roses for free in the parks. Money is meaningless in paradise garden, brimming with beauty and rain soaked grass. The bridges criss-cross the river following constellations, and the stars that shine out in the dark.
He calls her ‘Angel’ But I think he is hers. That won’t stop me predicting an end. He holds her hand inside his coat pocket To stop their world falling apart. Eles não terão sorte. They don’t stand a chance.
The trees in the park bend down to listen to their words. Lovers prattle and tease with affection, whispering on the air. It’s all scattered amongst the leaves. Their words may still be there, treasured in tree bark or written in fallen twigs. Time is moving on. O tempo é um traidor
The sparrows come home in the evening, the pigeons are losing their feathers, the fountains are freezing over. A clock chimes in Whitehall. Eros shifts on his plinth, covered in dust and decay.
A triolet is an eight-line poem. All the lines are in iambic tetrametre (for a total of eight syllables per line), and the first, fourth, and seventh lines are identical, as are the second and final lines. This means that the poem begins and ends with the same couplet. Beyond this, there is a tight rhyme scheme (helped along by the repetition of lines) — ABaAabAB.
But I decided to play with it so I have written a double-triolet and a triad.
The Man with Lambs in His Eyes
the Ocado man came today the sunshine arrived in his trail he saw the spring lambs on his way the Ocado man came today he’d been watching the spring lambs play they’d danced all his worries away the Ocado man came today and sunshine arrived in his trail
seeing the mirror this morning I looked deeply into my eyes I saw a strange sign and a warning seeing the mirror this morning no recognised face was forming it gave me a total surprise seeing the mirror this morning I looked into faded dark eyes
the Ocado man came today with lambs dancing in his eyes and wiped all my troubles away
a miraculous form wrapped in feathers closing the eyes of the day opens his own eyes wide Athena’s child flashes through beams of moonlight his wing curves create an all-knowing smile in the cleft of night how swift he is in bringing death to the thoughtless feasting of earth
a confusion of eyes look upward
through milk-merged, mist-soaked, fur-fleeting air he falls, tearing the skin of the firmament with his sudden cry
the river floats on by filling the veins and arteries that lead to the vastness of oceans where Neptune’s hair shelters the young, as yet unformed, children of gentle Salacia’s sighs
the right hand of Zeus slices the wind and the rain above the sea-salt beds where two brothers will never be parted bound as they are by a miracle unsurpassed essential to every life
silver-backed fish shoal, slip-witted and swift driven by beautiful Hermes in a trick of the gods and mercurial wisdom switches this way and that in an image painted with fishtails showing us moving atoms unseen by a naked eye
And what is longing, what is hiraeth, what is yearning but a sense of old displacements from banks of shifting sand? It’s the magnetic current spawned in our deepest wishes that persistently calls us home on elusive tides.
Here I am strapped to a frame, a never changing armature holds me in its tight grip, preserved in formaldehyde, polished and preened, displayed on a shelf under a spotlight my guts torn out and burned on the fire. My skin is so cold.
How is this me? Where are my entrails, my being, my soul.
The eyes remain dead, despite all their efforts to keep the light twinkling in glass. It’s not me.
Why preserve a thing so lacking in spirit? They should have installed me inside a badger, a crow or a fox.
From April 1st many poets will work hard to produce a poem a day for a month. It’s a sure-fire way of getting any sleepy cogs turning. They provide daily prompts (you don’t have to use them but they do tend to be interesting).
I am one of the poets who will be participating – so throughout April you can expect more from me than there has been in the last two years as I will post them all here