if they even matter at all. It’s all so intimate. Small.
No-one but you could ever remember how we sat in that bar.
Must be fifty plus years ago now.
I can try and explain, paint a picture, tell the tale of our joy and the blight on our stars,
But why should anyone care?
~
No-one but you can know or remember that one special night
when we met in a world that was flooded with lights.
We were there. We were present. We were so very there.
No-one but you can remind me of words I have forgotten beyond all trace.
I have to scrape every shadowy cave of my brain just to recall the shape of your face.
A face I so loved. A beautiful face.
~
No-one but you could make me keep looking, hoping to see you around every corner, through a window, in a crowd, alone on a bench, out with your kids (assuming you had some), walking through galleries, buying fruit at the market. Do you still play guitar and sing in the street? Do you visit our favourite tree in the park? Have we passed each other by? Maybe you can’t even walk anymore. I don’t care as long as you’re there. Somewhere, still there.
The task today was to write and index poem. You could start with found language from an actual index, or you could invent an index.
Find a book and look in the index. You will find phrases. Make choices and use them in a poem.
I last used this method in 2015 and the resulting poem was published in Three Drops from the Cauldron (Issue 2). It was called ‘Journey in Ancient Hills.’
The index I used at that time was from ‘Welsh Folklore and Folk Customs’ by Thomas Gwynn-Jones. I will be using the same index today.