Bardic Forms

Gerard Manley Hopkins and Dylan Thomas both made some use of old Welsh Bardic poetic forms (of which there are 24) . They have complex patterns of alliteration and internals rhymes within strict metres.

Here is a poem by Katherine Bryant  in one of the Welsh Bardic styles called “cywydd deuair hirion.”

(It is an example of a poem composed in a language not native to the style as they would usually be in Welsh).

Great my lord, sword and singing,
Over his shire, verses ring.
Bright fame in game and guidance,
Brass Lamp’s dream gleam in his glance
Gifted bard, Lantern’s guardian,
Graceful word heard from his hand.
Sharp his steel, sure praises tell,
Surefoot cat leaing battle.
I speak who know, praise owing,
I feel his steel and its sting.
I know his cheer, clear clamor,
I know his song, strong its soar,
I hear his wise words clearly.
I praise his grace in my glee.
May fame increase, unceasing;
My praise I raise, may it ring!

Having read this aloud to myself it’s clear to me that Robin Williamson has also used it.

I intend to investigate all this more, with the help of a text called Gwenllian’s Poetry Primer by Katherine Bryant (when I can find a copy), because I am very attracted to the ‘music’ of Welsh poetry, which I am sure can be used in the same musical way in English

Go Gently

 

Go gentle, gentle, into that good night

Old age brings acceptance of this last fate

Fly, fly to the beckoning, golden light

 

All seasons will end by pre-ordained right

The wise men know that when the hour is late

Their soul will take leave for eternal light

 

Good men do not fear the long, deep dark night.

Do not rage, sadly berating your fate,

Go gentle and rest, return to the light

 

Wild men who caught and sang the sun in flight,

Will sing in their dreams with no wish to wait

They will fly swiftly, to shining, bright light

 

Grave men will ponder the beauty of night

They will pray tenderly, knowing their fate,

Remembering all that was loving, bright

 

And you my father,  in that blessed night

Look upon me, with no sadness, and wait

I will not rage at the death of the light

I will go gentle into that good night

 

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(sorry Mr Thomas – you know this means no disrespect – you are my favourite poet after Shakespeare – and I will pray for you often)

A Welsh Voice

 

The mists, the mountains, cloud topped giants,
houses hung beneath the roads,
the mysteries of Cader Idris,
the bearded lake, Arthur’s stone,
a throne beside the glassy water
hollowed rock o’er grown with moss,
the leap of silvered salmon in the river,
the sheep, the lanes, the wayside markers
in the wall of wild flowers blooming,
by granite seat of ancient Bards,
where people gathered
hearing story roll from lips and memory.
All these things we saw together,
wandering in the wilderness of Wales
with my father, as a child.

The village streets where women gossiped,
the cobblestones and chimney pots
enchanted drifts of wood-smoked air
the clanging chime of book shop bell
as my father lead me to a gloomy room
walled with shelves.
Reaching up above my head
he handed me Dylan Thomas
a poet he had never read.

In bed that night a door swung open
with all the chimes of stream and meadow
louder than the bookshop bell
ringing out in word and image
words delicious in my mouth
the sounds, the shapes, the sensual pleasures
wrapped in beauty, thoughts profound,
laughter, love, the lowing cattle
driven home at eventide.
The orchards and the apple trees,
the night above that shines with stars.
The chapel choirs sang out across the valleys
voices raised in harmony and hymn,
the moaning echoes of the wind in grass
the sighing singing of the sea,
short lives lived
parading slowly to the grave.