Girl on the Tube

Girl on the Tube

through hot walls
echoes of balconies,
city of hushed shimmering steps
flying limbs, jumping, crashing,
a horny animal noise in the haze,
imagined necks,
stretched out and glistening,
metallic clatterings, birds in the iron of rails,
misplaced booms and magnolia,
floating bicycles, no air,
impersonal muffled faces,
hearts, feet, sharpness,
meaningless cheap sex hotels,
sweating relief on the stairs
under the river

.
i saw a girl
with the eyes of endless clear days,
a stranger,
the curve of a rose,
she stood, awake
by a door painted blue,
plain and complete

she must be new here

Hidden Rooms in Secret Houses

Secret rooms, hidden behind walls,
books, red cushions and a chair,
visited in dreams, well known.

Narrowed passageways and stairs
climb above the twisted chimney stacks.
They rise like curling smoke, a spiral.

Doors that open inward lead out to
the dove cote, fountain, walls of mossy stone,
pathways, apple trees and pears.

At last I leave this house.
Beyond the gate
the island, slate and jagged rocks,

a swaying broken bridge in sighing wind,
a fragile home of glass and salted timber.
High tides beat against it, retreating in a spray.

A window cracks. I am not afraid.
The lighthouse calls out through the fog,
receding echoes that return again,

a sound that swings around the bay.
In dreams, when I am swept away,
the waiting house remains.

Noisy Neighbours

Noisy Neighbours

At least three times a week
Thumps, bangs, a loud crash,
Doors slamming, metallic echoes,
Bumps, thuds, sharp edges, smash
I hear shouting, muffled, no words,
His voice booms and beats against the walls.

Hushed stillness after, as i wait to hear him slam out
Clattering feet on the stair to the street
Airless, exhausted relief as they fade.
Everything echoes in empty impersonal corridors
Magnolia walls, polished floors, plain blank doors.
The room behind one containing locked fear and silence.

I sense it there
Hear it breath through the walls
It enters my room, far more than the noise
A pounding, held in fear
So loud that it keeps me awake
As I listen, long after.

Next morning, so aware of silence,
When I hear a sound near my door
I jump, as alert as a hunted animal.
I hear her heart clench
So linked to this stranger by sounds
Though I have never imagined her face

What Picasso did for me

A New York Poem
or What Picasso Did For Me

i was walking around
in the Tate
on the Thames Embankment
London that day
it was hot hot hot
the heat haze
shimmered
above the river
like the sweat
that rose off my back
i saw you
all mixed up
with Picasso’s
misplaced eyes
in Malaga blue
long necks,
curved limbs askew
morning balconies
the sculpture of a goat
made of a basket
horny ram
with a bicycle seat
we weren’t allowed to ride
i kept thinking
of painted naked flesh
Velasquez, Degas, Matisse
and flying to Malaga,
Barcelona, Granada,
Paris, Venice, New York
all the cities we could fuck in
over and over and over
if we ran off
together right then
any cheap hotel room
with a bed
and a shower
would do
we could give up
on looking at art
completely
screaming
meaningless
poems
words
endless
passionate
words

A Souvenir of Shakespeare

A Souvenir of Shakespeare

In a bay window, at a dark oak table, my grandfather sits after breakfast, in a room that smells faintly of pepper when the sun shines in and warms the white table-cloth. My grandmothers green breasted budgie repeats and repeats good morning as he gazes at himself in a tiny mirror. A laburnum branch taps on the window, glossy dark stem and yellow flowers.

The smell of bacon and egg lingers as my grandfather puts on his glasses and reaches for the newspaper. By his hand sits a heavy glass oval ashtray and under the glass, in the centre, a face gazes out, oval too, bearded, in sepia. The ashtray is always there and never used. Age four or five I ask,

‘Who is that man?’’

‘’That’s Old Will,’’ says my Grand-dad, as if it’s his best mate he rubs shoulders with often.

‘’Who is Old Will?’’ I ask, because I enjoy a story and I like to keep my Grand-dad talking to me.

‘’William Shakespeare, the worlds greatest Bard,’’ says my Grand-dad.

‘’What’s a Bard?’’

‘’He wrote wonderful plays for the theatre and poems and he told about all the things people think and feel and do and why.’’

‘’What did he say?’’ I ask, impressed because that sounded very clever.

‘’Oh, lots of things,’’ says my Grand-dad with a smile.

‘’But what things?’’

‘’All the world’s a stage and we but players on it, a rose by any other name would smell as sweet, to sleep perchance to dream, to be or not to be that’s the question.’’

‘’To be or not to be what?’’ I ask, falling into my Grand-dads well laid trap.

‘’Well that’s the question, isn’t it’’ he says with a grin. ‘’Now go out and play and let me read my paper.’’

To be, to not be.

How can we ever not be?

Would we be again?

To be or not to.

Was I not before now then?

What if I wasn’t?

Being, not being?

Do they feel very different?

Could I switch between?

My head starts to hurt.

I think I am glad I am

here, now, being.

I run out to the garden to play.

The Magic House

the magic house

this room is full of funny magic things
birds made of corn, bronze candlesticks, a broom,
bells, painted drums, lamps with hidden genies
a broken mirror up above the fire,
spells, a golden egg and seashells, boxes
with locked lids in hidden corners, darkened
secret nooks, far from the big wide window,
piled dusty books too high to reach and read
not that i could read them anyway, not yet,
but I’m not scared, no fears, I like it here
i poke about and no-one bothers me
i wear jewellery and eastern slippers
they’re red, the toes have points, curling over
i think Aladdin came to visit once
no one in my family denied it
or maybe it was Sinbad, the brave sailor
because i saw an anchor in the garden
by the roses where the blackbird sings

In Arden

oberon enchants his queen

Oberon enchants his queen

 

I roam the Forest of Arden in dreams
seeking the forgotten bower, the tree
at the heart of everything, the trusty Oak
and the name that is rarely spoken now
hidden in wood, rising in smoke, sacrificed,
the Green Man rising in ancient wood

Herne the Hunter, never a nightmare to me,
I would run with his hounds and howl in the wind
leap with the sap in the wood that is green.
listen closely, they announce his coming

the snap of a twig

The Miner, Absolom

The Miner, Absolom
(a haibun)

green hill where sheep graze
white bones and coal, buried, held
seasons all the same

My grandfather worked in the mines from age thirteen to seventy. His life was closed in by mountains, the green one at the back, the dark looming one at the front and the pit head along the valley., winding the men in and out of the shaft, day after day, dawn until dusk when they came home singing

boots ring on the road
deep valley voices echo
backyard starlit smoke

They worked on their bellies or crouched, often in water for days, water that undermines rock. Shaft collapses where frequent. Life was cheap. He came home covered in coal dust to his wife and two sons, sons he was determined to keep out of the mines. Yet he loved that coal – coal that he always polished with care before lighting a fire, brushing dust off black diamond surfaces.

water breaks through rock
with wood and straining shoulders
man becomes the beam

He saved twenty lives that day, men he had known from boyhood. When his lungs were affected they laid him off, no pay, no pension, no life. He bought an insurance book with the money he had and every day he trudged over the mountains and valleys gathering pennies that would help to secure some livelihood to the widows who lost their men in the mines. He never told his wife that when a family couldn’t pay he put the pennies in for them rather than leave them unprotected.

winter, summer, fall
the mountain hangs over all
tired to the backbone

When the mines were nationalised my grandfather went straight back to the coal face despite his age. He wasn’t going to miss those days of glory. Safety was suddenly the watchword and changes were made very fast. Hot showers were installed at the pit head and the miners came home clean at last.

men stripped to the skin
hot water, steam, baptised
brothers singing hymns

The Sea Never Sleeps

The Sea Never Sleeps

On sleepless nights I drift away
to the house by the rolling sea
where the waves wash home to the shore
pulled out, away, by the moon.
The sound of the waves, the sound of my breath,
in sleep, take me, wash me away,
born on a breathe, borne on a wave
with no dreams to trouble me.

This sleep eludes me tonight.
I find myself
out on the reef
out on the windswept headland
where moonlight shines the way.
The breakers beat the granite rock.
The wind whips and pulls at my hair.
The coarse headland grass whips and sings.

The stars gliding from east to west
a line of light rises at dawn
silvered horizon, the sun.
I wander along the coastal path
past stone walls and the gentle stream,
the sweet vanilla scent of gorse.
I feel a need to keep walking.

I swing through the kissing gate,
warm, smoothed wood under my hand,
on through a field and then further
to the finger of land, reaching out,
high, high up, alone and free,
resting my gaze on the beautiful blue,
forever, curve of the bay.

Beautiful Trevone

Bountiful West

Bountiful West

The cup gleams gold in the light
Golden liquid overflowing
Round bowl on a slender stem.
On the table beside it are apples.
Red, yellow, glowing,
Globed sunlight bursting with juice.
Outside in the meadow, the cows
Brown and white, gentle eyed, lowing,
As the calf pushes and pulls on the teat,
Staggers a little and suckles.
Warm milk for the jug.
A blue and white bowl holds the cream.
Blue and white is the sky above
Brown and deep the buzzing of bees
Making the foxgloves bend and bow
Under the coolness of trees
Where the earth holds the richness of leaves
And the bones of the ancestors rest
In the land of the ever blessed.